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- <text id=90TT1103>
- <title>
- Apr. 30, 1990: Beyond Headlines And Haydn
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Apr. 30, 1990 Vietnam 15 Years Later
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- RADIO, Page 98
- Beyond Headlines and Haydn
- </hdr>
- <body>
- <p>National Public Radio adds some fun--and even some fluff
- </p>
- <p> In fictional Zenith, George Babbitt brags about boosterism.
- In Boston, a Tappet brother asks, "Does the transmission go
- clunk before or after you let in the clutch?" In Paris, Papa
- Wemba recalls his days as Zaire's most popular folk singer. And
- in New Orleans, Dr. John bellows the blues from the stage of
- the Colt 38 Club.
- </p>
- <p> Until recently, people knew pretty much what to expect when
- they tuned in to National Public Radio: thoughtful and
- innovative news programs like Morning Edition and All Things
- Considered, with plenty of commercial-free classical music in
- between. But no longer. Washington-based NPR, which is
- celebrating its 20th year, is adding more sounds of fun--and
- even a little fluff--to its successful duet of headlines and
- Haydn. For example, the private, not-for-profit network last
- month introduced Heat, a late-night mix of news, music and
- guests, to attract younger listeners, already a growing part
- of the network's audience. "NPR is not a preserve for the humor
- impaired," says Heat senior producer Steve Rathe. "It is for
- thoughtful people who have not forgotten how to dance."
- </p>
- <p> NPR is bopping right along. Twelve million people tune in
- each week, and the number of member stations has grown from 90
- in 1970 to 395. Morning Edition, with its weekly audience of
- 4.8 million listeners, is public radio's top draw. Not even
- Garrison Keillor's new American Radio Company of the Air, which
- is produced by NPR's friendly rival, American Public Radio,
- commands such a large audience.
- </p>
- <p> To keep itchy fingers off those dials, the network is
- leavening its offerings with lighter fare. News attracts a
- sizable cadre of thirtysomethings, but many of them switch off
- their sets when Eine Kleine Nachtmusik begins. Increasingly,
- the network is promoting what Peter Pennekamp, a programming
- vice president, calls "culture with a small c."
- </p>
- <p> For one thing, NPR is expanding its lineup of ethnic-, jazz-
- and folk-music offerings. In addition to Marian McPartland's
- Piano Jazz, which for 13 years has featured guests such as Dave
- Brubeck, Chick Corea and Peter Schickele (P.D.Q. Bach), two new
- shows are getting funkier and further afield. BluesStage
- transports listeners to down-and-dirty locales to hear
- rhythm-and-blues stars, including the Persuasions. A recent
- episode highlighted veteran Little Milton from the gritty B.K.
- Lounge in Rochester. The emcee and commentator for the weekly
- program is Grammy-winning R.-and-B. soul sister Ruth Brown,
- who also earned a Tony for her role in the Broadway musical
- Black and Blue.
- </p>
- <p> Perhaps NPR's liveliest offering is Afropop Worldwide, which
- is buoyed by the wide knowledge, melodious voice and infectious
- enthusiasm of host Georges Collinet, a Cameroon native. The
- program explores contemporary African music and its influence
- on pop sounds. Among performers recently featured: Brazil's
- Gilberto Gil, the Ivory Coast's Alpha Blondy and the "Lion of
- Zimbabwe," Thomas Mapfumo.
- </p>
- <p> Traditional radio drama is also getting a wider airing on
- NPR. The network broadcast Babbitt, Sinclair Lewis' novel of
- Main Street shenanigans, complete with music, sound effects and
- a cast of 34 readers, including Ed Asner (as George Babbitt),
- Richard Dreyfuss, Amy Irving and John Lithgow. Among future
- projects: Arthur Kopit's play Oh Dad, Poor Dad, Momma's Hung
- You in the Closet and I'm Feeling So Sad and muckraking
- novelist Frank Norris' McTeague. Asner, who was paid a mere
- $2,300 for his work, which stretched over nine months, finds
- it satisfying nonetheless. Says he: "I grew up with radio, and
- I don't remember anyone falling asleep before the radio like
- they do with TV."
- </p>
- <p> Over the past couple of years, NPR has been adding to its
- lineup of talk shows. Fresh Air, the most insightful and
- entertaining interview program on radio, features an eclectic
- mix of authors, artists and performers. Host Terry Gross has
- discussed with John Updike his love of faces ("a dermal sin")
- and explored comedian Martin Short's unusual adolescent
- fantasies. She got tough with Nancy Reagan over her memoirs but
- allowed actor Bob Hoskins (Who Framed Roger Rabbit?) to wax
- lyrical about Laurence Olivier. Gross is just one of a notable
- number of female voices at NPR. Unlike the commercial networks,
- she says, "NPR never bought the idea that women's voices lack
- credibility."
- </p>
- <p> Car Talk, NPR's offbeat call-in show, gets as much mileage
- out of the jokes as the information. Boston's Tappet brothers--actually two M.I.T. grads named Ray and Tom Magliozzi, who
- own an auto-repair shop and drive U.S. models--have turned
- America's love-hate relationship with the automobile into a
- stand-up routine. "Do you know why they call the Volvo the poor
- man's Mercedes?" Ray once asked a perplexed caller. "Because
- the repair bills will keep you too poor to buy a Mercedes!"
- </p>
- <p> Heat, broadcast nightly from New York City, offers late
- headlines and single-issue shows intended to mesmerize young
- news junkies. One recent edition addressed the transformation
- of the South African theater. The guests included the cast of
- the play Survival, musician Hugh Masakela and, from
- Johannesburg, novelist Nadine Gordimer. "We want to erase the
- artificial line between intellectual and creative expression,"
- says host John Hockenberry. "We want the show to be a place
- where the left brain and the right brain can unwind together."
- That's a tall order. Can the live wires at NPR deliver? Stay
- tuned.
- </p>
- <p>By J.D. Reed. Reported by Elizabeth L. Bland/Washington and
- Nancy Newman/New York.
- </p>
-
- </body>
- </article>
- </text>
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